quai des orfèvres (1947)
Creative Commons Atribución-CompartirIgual 3.0 Unported, https://es.wikipedia.org/w/index.php?title=36_Quai_des_Orfèvres&oldid=129528203, Licencia Creative Commons Atribución Compartir Igual 3.0. [7] The film has had several theatrical revivals in France since its original release. Quai des Orfèvres heeft een erg goed plot. Synopsis : Jenny Lamour, chanteuse de music-hall douée, ne manque pas d'ambition. [4][8] Quai des orfèvres was re-released for a limited run within America on 25 October 2002. [4], When trying to find a copy of Légitime défense to re-read, Clouzot found that it was out of print. But Jenny went anyway to a rendez-vous at the old man's, who is murdered the same evening. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. Robert Mancini, director de la Policía Judicial, está a punto de retirarse y desea detener a esta banda antes de su despedida. The film was released in New York City in March 1948 under the title Jenny Lamour. He is blamed for murder when a lecherous movie producer who was flirting with his wife turns up dead. The changes in the script include the identity of the real murderer, the settings of the action, and the introduction of the lesbian photographer character Dora Monier. "[13] In 1949, the film won an Edgar Award for Best Foreign film. Política de privacidad / condiciones de uso. Stories of Sin and Survival: Henri-Georges Clouzot’s "Le corbeau" & "Quai des orfèvres" While the second film of the French director was controversially made during WW2 with Germany money, his third is an appeasing diversion. But Jenny went anyway to a rendez-vous at the old man's, who is murdered the same evening. Quai des Orfèvres (French: [ke dez‿ɔʁfɛvʁ]; "Goldsmiths' Quay"; also known as Jenny Lamour) is a 1947 French police procedural[1] drama film based on the book Légitime défense by Stanislas-Andre Steeman. [6] In 1947, it was the fourth most popular film in France, drawing 5.5 million spectators. While the second film of the French director was controversially made during WW2 with Germany money, his third is an appeasing diversion. Yepok. [8] Richard L. Coe of The Washington Post referred to the film as "a fine, engrossing French crime film". That scene is exactly the one between Natalie Portman and Julia Roberts in Closer (Mike Nichols, 2004). (as J. Dunot). Para conseguirlo, encarga a Léo Vrinks, jefe de la BRI (Brigada de Investigación e Intervención) y Denis Klein, jefe de la BRB (Brigada de Represión de la Delincuencia) la detención de estos criminales. [16] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 89, based on 10 reviews. [1] The film was released in France and was popular with both audiences and critics. Once widely misunderstood—the director was charged with Nazi sympathies for Le corbeau and was derided by the French New Wave—the work of Henri-Georges Clouzot today looks far ahead of its time. Jenny Lamour sings in a music hall in postwar Paris, accompanied by her jealous husband Maurice Martineau on piano. Paris, December 1946. Quai des orfèvres was re-released for a limited run within America on 25 October 2002. Clouzot had been banned from film making after the controversy after the release Le corbeau and due to Clouzot's collaboration with the German-owned company Continental Films. Blacklisted for his daring "anti-French" masterpiece Le corbeau, Henri-Georges Clouzot returned to cinema four years later with the 1947 crime-fiction adaptation Quai des Orfèvres. The marriage between Gabrielle and Jean begins to fray after the discovery of a letter that belongs to Gabrielle. 36 Quai des Orfèvres es una película escrita y dirigida por Olivier Marchal basada en el libro homónimo de Frank Mancuso. 1947 Directed by Henri-Georges Clouzot. Inspector Wens moves into a Paris boarding house to catch a serial killer. Bosley Crowther of The New York Times referred to the film as "a fascinating and penetrating film". Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. [10], Quai des Orfèvres was released in North America on DVD by The Criterion Collection on 27 May 2003. Ik zou graag alle Clouzots zien, ik heb er nu 'pas' 3 gezien. In 1964 Jean Mitry wrote that the film is "one of the few films—with Renoir's Rules of the Game, All About Eve, and two or three others—which allows us to think that the cinema, like the novel and the theater, can some day be an instrument for exploring the human soul. Pierre Chartier of France-Libre wrote that the film was "a watershed in the history of the French crime film. France, 1947. Victor Sjöström’s supernatural drama gets an extravagant make-over from Julien Duvivier. [4][5], Quai des Orfèvres was also a comeback film for director-actor Louis Jouvet with whom Clouzot had become good friends before World War II. When he knew Jenny is making eyes at Brignon, an old businessman, in order to get some engagements, he looses his temper and threatens Brignon with death. Synopsis. Plunging a crime situation in a picturesque environment. This production was meant to be a commission to end Clouzot's four years of enforced inactivity and take advantage of the new popular style of crime literature. Despite this, Jenny goes to a secret rendezvous at Brignon's apartment. The site's consensus reads: "Henri Georges-Clouzot's engrossing noir explores the troubles of post-war France and the line dividing social struggle and criminality". A classic tale about bitter relationships between a frivolous girl and a soldier is adapted for the post-World War II time. With some spots of the American classic films (but not imitating it) the director tales us a story about love, crime and the importance of points of view. At this year’s Toronto International Film F…, New high-definition digital transfer of the film, made from restored film elements, Interviews with director Henri-Georges Clouzot and actors Bernard Blier, Suzy Delair, and Simone Renant, from the 1971 French television program, Poster gallery from the film’s international release, New and improved English subtitle translation, Optimal image quality: RSDL dual-layer edition. Para motivarlos, les promete que el que consiga acabar antes con ellos, será su sustituto. Clouzot con Suzy Delair, Bernard Blier, Louis Jouvet, Simone Renant, Jean Daurand .... Año: 1947. Five unemployed penniless workers win 100,000 Francs with the national lottery. When he finds out that Jenny has been making eyes at Brignon, a lecherous old businessman, in order to further her career, he loses his temper and threatens Brignon with death. (as Blavette), Le commissaire principal de la P.J. Beautiful, interesting, Blacklisted for his daring "anti-French" masterpiece Le corbeau, Henri-Georges Clouzot returned to cinema four years later with the 1947 crime-fiction adaptation Quai des Orfèvres. Jouvet accepted the part of Inspector Antoine on the condition that a flexible shooting schedule would be allowed and that Clouzot would cast some of Jouvet's troupe members in the film. Blacklisted for his daring "anti-French" masterpiece Le corbeau, Henri-Georges Clouzot returned to cinema four years later with the 1947 crime-fiction adaptation Quai des Orfèvres. Jenny Lamour wants to succeed in music hall. D'après le roman Légitime défense de Stanislas-André Steeman. You must be a registered user to use the IMDb rating plugin. Quai des Orfèvres was directed by Henri-Georges Clouzot and was his first film in four years. [2][3] During Clouzot's inactivity, he wrote scripts for films that were never released. [18] The Criterion DVD is now out of print. Set within the vibrant dance halls and crime corridors of 1940s Paris, Quai des Orfèvres follows ambitious performer Jenny Lamour (Suzy Delair), her covetous husband Maurice Martineau (Bernard Blier), and their devoted confidante Dora Monier (Simone Renant) as they attempt to cover one another's tracks when a sexually orgreish high-society acquaintance is murdered.

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