all over me album songs

"[4], "All Over Me" debuted at No. It may not be a formula to convert the skeptics, but it is sure to please the devoted. Her hit catalog was already nine songs deep, and "Come on Over" was the tenth of close to 30 visits to the Top 40 in a 14-year period. Cliff Richard had his biggest U.S. success up to this point in time with "Devil Woman" as this record was charting simultaneously. Showcasing Cold Beat's versatility as well as its focus, Over Me lets listeners discover more each time they play it -- which should be often.

The song reached No. "[3] Kevin John Coyne of Country Universe gave the song a B rating, referring to it as an "enjoyable listen" and that Turner is able to "elevate good material to great entertainment.

The song's male narrator describes telling his love interest his desire to take her down to the riverbank in the summer, begging her to pour her love "all over [him]. It was released in April 2010 as the second single from his album Haywire. It is also the only song that charted on the Top 40 from this consistent and entertaining project. Shelton was introduced to Conley by good friend Pyle, who was playing in Conley's band at the time. It was released in April 2010 as the second single from his album Haywire. Olivia Newton John's Come on Over is country tunes, folk ballads, and more. The three wrote the song at Conley's house in 1999.[1].

More than just the Bee Gees meets the Shadows featuring Olivia Newton-John, Come on Over is a true pop classic. 97 on the U.S. Find album reviews, stream songs, credits and award information for Over Me - Cold Beat on AllMusic - 2014 - On the 2013 single Worms/Year 5772, Hannah Lew… Co-writer Rhett Akins told The Boot that the song "is another one of those good time summer feeling songs about hot weather and it being time to get in the boat, grab your girl and head to the lake or the river." Her own arrangement and adaptation of the traditional "Greensleeves" is exquisite, haunting, and shows Newton-John is more than just a pretty face. "[1], "All Over Me" is an uptempo song backed primarily by piano and electric guitar. [5], "Josh Turner, 'All Over Me' – Story Behind the Lyrics", "Roughstock Blog: Josh Turner – "All Over Me, "Single Review: Josh Turner, "All Over Me, "Chart Highlights: Country, Dance/Club Songs, & More – Chart Beat", "Josh Turner Chart History (Hot Country Songs)", https://en.wikipedia.org/w/index.php?title=All_Over_Me_(Josh_Turner_song)&oldid=935039488, Billboard Hot Country Songs number-one singles, Song recordings produced by Frank Rogers (record producer), Pages using infobox song with unknown parameters, Singlechart usages for Billboardcountrysongs, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 January 2020, at 02:44. "[2] Bobby Peacock of Roughstock spoke positively of the song, referring to it as a "safe song" that has been done before, but it seems "fun when Josh sings about it. Olivia Newton-John was a superstar before Mariah Carey and Celine Dion, and as beautiful as those pop divas can sing, it is John Farrar's understanding of his artist which makes these albums by Olivia so heartfelt and magical. Close listening reveals Someone to Watch Over Me isn’t quite as orchestral heavy as The Gift, lending this a slight airiness, but this is cut from the same cloth as its predecessors: show tunes and standards rest comfortably next to reinterpreted modern classics, this time Depeche Mode’s “Enjoy the Silence” and Tears for Fears’ “Mad World.” Boyle isn’t an interpreter, necessarily, finding new meanings of songs; instead, the songs are pitched toward her specific skills, so there’s an inevitable sameness to her albums, as they all consist of slow, pretty versions of songs you know by heart. Her hit catalog was already nine songs deep, and "Come on Over" was the tenth of close to 30 visits to the Top 40 in a 14-year period. "It'll Be Me" is the next best thing to "Come on Over," a Hank Marvin/John Farrar composition showing Newton-John's relationship to Cliff Richard's Shadows, drummer Brian Bennett providing the backbeat. Hands All Over is the third studio album by the American rock band Maroon 5.Produced by veteran producer Robert John "Mutt" Lange, the album was released by A&M Octone Records in September 2010 and debuted at number two on the US Billboard 200.

His grasp of the pop format is major league and worthy of note. "All Over Me" is a song written by The Peach Pickers (Rhett Akins, Dallas Davidson, Ben Hayslip), and recorded by American country music artist Josh Turner.

Billboard Hot Country Songs chart for the week of April 24, 2010. Karlie Justus gave the song a thumbs up, favoring it as a summer tune that "bring[s] the froth and fun these [type of] songs require without completely succumbing to tired instrumental and lyrical clichés." Susan Boyle’s third album, Someone to Watch Over Me, isn’t markedly different than her first or her second, the seasonal The Gift, for that matter.

"All Over Me" is a song composed by Earl Thomas Conley, Michael Pyle, and Blake Shelton.

Farrar's "Small Talk and Pride" and Harlan Collins' "Wrap Me in Your Arms" are elegant and perfect in their construction. What this record becomes is a textbook on the separation between what is good and what is great. Other standouts include the frosty pop of "Tinted Glass" and the explosion of swelling harmonies and synths that is "Year 5772."

"All Over Me" is a song composed by Earl Thomas Conley, Michael Pyle, and Blake Shelton. Billboard Hot 100 chart for the week of July 17, 2010. Shelton has long considered Earl Thomas Conley his all time musical hero. "Don't Throw It All Away" and "Who Are You Now?"

Shelton was introduced to Conley by good friend Pyle, who was playing in Conley's band at the time. "Come on Over" is a tremendous song on a very good album. It would be four years until Olivia and Cliff's duet "Suddenly," from the Xanadu soundtrack, made its splash. Billboard Hot Country Singles & Tracks for the week of October 20, 2001. Find album reviews, stream songs, credits and award information for All Over Me - Original Soundtrack on AllMusic - 1997 - The soundtrack to the Sichel sisters' 1997 indie… 59 on the U.S.

By the time Over Me was released, Cold Beat was a full-fledged band with a solid lineup thanks to the addition of Erase Errata's Bianca Sparta.

On the 2013 single Worms/Year 5772, Hannah Lew sketched out the approach of her post-Grass Widow project Cold Beat, crafting songs with clean, post-punk-inspired lines befitting its namesake (one of the best songs by cult favorites the Sound). The album is quality stuff through and through, but even a good reading of a Beatles classic like "The Long and Winding Road" pales next to the majesty of John Farrar's simple production and Olivia's direct and heart-wrenching vocal on the title track.

Fred Rose's "Blue Eyes Crying in the Rain" and a cover of Dolly Parton's classic "Jolene" open and shut side one with the country side of things while the Diane Berglund/Jim Phillips composition "Pony Ride" is more of a piano ballad, nicely bridging the Western music with the song which would go to the top of the adult contemporary charts, the brilliant title track written by Barry Gibb and Robin Gibb of the Bee Gees. He also said that they "didn't have any title mapped out or even a direction of where we were going[…]We came up with the title to the song as we were writing the chorus about save all your kisses up, bring all your sweet love, and pour it all over me. It was released in October 2001 as the second single from Shelton's debut album, Blake Shelton. Throughout it all, Lew's aloof vocals create a compelling contrast with the driving sounds around her, giving an ethereal cast to songs like "Collapse" and "Wave," both of which might be almost too catchy if she didn't put some distance between herself and the hooks. All three were produced by Steve Mac -- the man who helmed record-shattering LPs by Il Divo along with a bevy of hits by British pop groups and graduates of the Idol franchises on both sides of the Atlantic -- all three are so stately they border on somnolent, the speeds never once flirting with midtempo, the tenor of the timbre measured and mannered. ", The song has been well received by music critics. Her own arrangement and adaptation of the traditional "Greensleeves" is exquisite, haunting, and shows Newton-John is more than just a pretty face. Arguably, she uses this aloofness even more effectively on Over Me than she did with Grass Widow; "UV"'s insistent new wave chug and the coldwave-tinged "Rumors" are perfect foils for her crystal-clear delivery and have a more purposeful heft to them than some of her previous band's output. 1 on the country charts in October 2010. "Come on Over" came right on the heels of one of the Bee Gees' most brilliant compositions, "Fanny (Be Tender With My Love)," charting just three months prior to "Come on Over." It was released in October 2001 as the second single from Shelton's debut album, Blake Shelton. It is so moving that every other performance becomes a supporting act to the main attraction. "All Over Me" debuted at number 54 on the U.S. She found the lyrics "simple [and] frustratingly derivative," but complimented Turner's "signature baritone. "All Over Me" is a song written by The Peach Pickers (Rhett Akins, Dallas Davidson, Ben Hayslip), and recorded by American country music artist Josh Turner. https://www.allmusic.com/album/someone-to-watch-over-me-mw0002216418 All of these posthumous tracks found their place on Juice’s 21-track album, Legends Never Die, which was released on July 10th, 2020, over 7 months after his passing. are beautiful middle of the road performances here, and Farrar's production is really understated and sadly underrated. Come on Over, the sequel to The Woman in Me, continues that approach, breaking from contemporary country conventions in a number of ways. It debuted at No. Lew makes the most of this stability by expanding the scope of her songs, which range from "Fatal Bond"'s driving rock to "Abandon"'s delicate balladry to "Mirror"'s winning indie pop.

The standard edition of the album includes three singles: "Misery", "Give a Little More" and "Never Gonna Leave This Bed". Shelton sings in a falsetto on the chorus. Not only does the music lean toward rock, but its 16 songs and, as the cover proudly claims, "Hour of Music," break from the country tradition of cheap, short albums of ten songs that last about a half-hour. [2], "Blake Shelton Chart History (Bubbling Under Hot 100)", "Blake Shelton Chart History (Hot Country Songs)", https://en.wikipedia.org/w/index.php?title=All_Over_Me_(Blake_Shelton_song)&oldid=979670860, Pages using infobox song with unknown parameters, Singlechart usages for Billboardbubbling100, Singlechart usages for Billboardcountrysongs, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 September 2020, at 02:46. Olivia Newton John's Come on Over is country tunes, folk ballads, and more.

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